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	<title>Comments on: one impulse from a vernal wood</title>
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	<description>mostly shadows and lines</description>
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		<title>By: Michael Hartford</title>
		<link>http://michael.cartwheelmedia.com/wpm/2006/07/16/2171/comment-page-1/#comment-20900</link>
		<dc:creator>Michael Hartford</dc:creator>
		<pubDate>Fri, 17 Apr 2009 15:06:47 +0000</pubDate>
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		<description>Thanks, Tom; I agree, the second stanza of &quot;Tables Turned&quot; is the more interesting one, used on the &lt;a href=&quot;http://michael.cartwheelmedia.com/wpm/2006/07/15/2170&quot; rel=&quot;nofollow&quot;&gt;next&lt;/a&gt; picture.

I&#039;m an unrepentant historicist, so I read Wordsworth as responding to the Baconian project of conquering nature through science; there might even be a reference to the practice of vivisection in the last line, where dissection does indeed approach murder, but that&#039;s pushing it a bit far.  At the very least, Wordsworth is suggesting that systematically taking nature apart &quot;misshapes&quot; the organic interactions of things, and we cannot understand the whole merely by isolating its parts.

As a Romantic, Wordsworth surely thought there were moral lessons to be found in contemplating nature; it was this idea upon which the Victorians crashed when they observed that nature is often brutal and violent (e.g., Tennyson&#039;s &quot;nature, red in tooth and claw,&quot; from &quot;In Memoriam&quot;).  I&#039;m far less sanguine than Wordsworth about getting moral lessons from &quot;nature&#039;s lore&quot;; though I think the impulse Wordsworth describes is a valuable one, observing how human beings behave in society is a much more useful path to wisdom of good and evil.

Of course, the real reason this poem appears under this photograph is that &quot;pretty purple flower&quot; doesn&#039;t make for a very interesting title, and &quot;Tables Turned&quot; is one of the poems that has been stuck in my head for more than twenty years.  Whatever the implications of Wordsworth&#039;s philosophy, he certainly strung together words in a very nice order, and there&#039;s a value in the enjoyment of poetry on that level alone.</description>
		<content:encoded><![CDATA[<p>Thanks, Tom; I agree, the second stanza of &#8220;Tables Turned&#8221; is the more interesting one, used on the <a href="http://michael.cartwheelmedia.com/wpm/2006/07/15/2170" rel="nofollow">next</a> picture.</p>
<p>I&#8217;m an unrepentant historicist, so I read Wordsworth as responding to the Baconian project of conquering nature through science; there might even be a reference to the practice of vivisection in the last line, where dissection does indeed approach murder, but that&#8217;s pushing it a bit far.  At the very least, Wordsworth is suggesting that systematically taking nature apart &#8220;misshapes&#8221; the organic interactions of things, and we cannot understand the whole merely by isolating its parts.</p>
<p>As a Romantic, Wordsworth surely thought there were moral lessons to be found in contemplating nature; it was this idea upon which the Victorians crashed when they observed that nature is often brutal and violent (e.g., Tennyson&#8217;s &#8220;nature, red in tooth and claw,&#8221; from &#8220;In Memoriam&#8221;).  I&#8217;m far less sanguine than Wordsworth about getting moral lessons from &#8220;nature&#8217;s lore&#8221;; though I think the impulse Wordsworth describes is a valuable one, observing how human beings behave in society is a much more useful path to wisdom of good and evil.</p>
<p>Of course, the real reason this poem appears under this photograph is that &#8220;pretty purple flower&#8221; doesn&#8217;t make for a very interesting title, and &#8220;Tables Turned&#8221; is one of the poems that has been stuck in my head for more than twenty years.  Whatever the implications of Wordsworth&#8217;s philosophy, he certainly strung together words in a very nice order, and there&#8217;s a value in the enjoyment of poetry on that level alone.</p>
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		<title>By: tom bissinger</title>
		<link>http://michael.cartwheelmedia.com/wpm/2006/07/16/2171/comment-page-1/#comment-20898</link>
		<dc:creator>tom bissinger</dc:creator>
		<pubDate>Thu, 16 Apr 2009 15:54:00 +0000</pubDate>
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		<description>lovely pic. but the poem is rendered helpless and naked by the glaring omission of its resolution. for instance, a later phrase in this passage is, &quot;we murder to dissect&quot;, which seems to imply that man and &#039;vernal wood&#039; have nothing particularly in common with each other than circumstance.   there&#039;s a lot to man and to &#039;moral evil and of good&#039; that just cannot be learned by gazing on a pretty flower. however, given the way 
&#039;sages&#039; behave these days, i could see the misguided need to seek better counsel in nature. so the implicite interpretation of this poem belies the readers need to &#039;misshape the beauteous forms of things&#039; to think one is being instructed to find moral wisdom good and evil</description>
		<content:encoded><![CDATA[<p>lovely pic. but the poem is rendered helpless and naked by the glaring omission of its resolution. for instance, a later phrase in this passage is, &#8220;we murder to dissect&#8221;, which seems to imply that man and &#8216;vernal wood&#8217; have nothing particularly in common with each other than circumstance.   there&#8217;s a lot to man and to &#8216;moral evil and of good&#8217; that just cannot be learned by gazing on a pretty flower. however, given the way<br />
&#8216;sages&#8217; behave these days, i could see the misguided need to seek better counsel in nature. so the implicite interpretation of this poem belies the readers need to &#8216;misshape the beauteous forms of things&#8217; to think one is being instructed to find moral wisdom good and evil</p>
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